Room 43
Gauguin, Seurat, Van Gogh
Paintings in this room
In the 1890s and early 1900s, Cezanne painted numerous views of the Bibémus Quarry. Situated not far from Aix-en-Provence, the site was renowned since Antiquity for its yellow-ochre limestone. But while the artist was mesmerised by the quarry’s chromatic qualities, he also had personal and intell...
This painting shows Lake Keitele in central Finland. The zigzag pattern on the water’s surface is a natural occurrence caused by the interaction of the wind with the lake’s currents, but it is also intended to evoke the wake created by Väinämöinen, the poet-hero of the Finnish saga Kalevala, as h...
Gauguin painted this still life soon after he had arrived in Tahiti for his second and final stay in 1895. Exotic red bougainvillea and hibiscus, white and yellow frangipani, white tiare and large blue leaves burst out of a dark clay pot. They look as though they are slightly past their best, and...
Van Gogh painted several versions of A Wheatfield, with Cypresses during the summer of 1889, while he was a patient in the psychiatric hospital of Saint-Paul de Mausole, in the village of St-Rémy in the south of France. A first version, which he described as a study, was painted on site in late J...
Van Gogh painted this view from his window at the asylum in Saint-Rémy, following a severe epileptic attack which had prevented him from painting. Typical of his work at this date, the scene is based on direct observation but is laden with personal meaning. The hardworking ploughman, tilling the...
The daughter of the innkeeper at the Café de la Mairie in Auvers, where Van Gogh spent the final ten weeks of his life, Adeline Ravoux was only 12 years old when she sat for this portrait by Van Gogh. As is common in Van Gogh’s late works, the shape and texture of his individual brushstrokes are...
This is one of five versions of Sunflowers on display in museums and galleries across the world. Van Gogh made the paintings to decorate his house in Arles in readiness for a visit from his friend and fellow artist, Paul Gauguin.‘The sunflower is mine’, Van Gogh once declared, and it is clear tha...
This painting of a simple chair set on a bare floor of terracotta tiles is one of Van Gogh’s most iconic images. It was painted in late 1888, soon after fellow artist Paul Gauguin had joined him in Arles in the south of France. The picture was a pair to another painting, Gauguin’s Chair (Van Gogh...
A native of Berne, Switzerland, Ferdinand Hodler spent much of 1902 in the Oberland painting mountainous landscapes. This work shows the Kien Valley looking towards the Bluemlisalp, a massif at the far end of the valley. During his artistic retreats in the Alps – not so different, in spirit, from...
Although not the most recent painting in the National Gallery’s collection, this picture is perhaps the most self-consciously modern. It is also the Gallery’s only example of Cubism, the early twentieth-century art movement initiated by Pablo Picasso and his colleague Georges Braque, which radica...
In 1884 Pissarro settled with his family in the village of Eragny. He painted a number of views of this meadow which is planted with small trees still surrounded by their protective cages. It is late afternoon and the long shadows thrown by the trees radiate out in a fan shape towards the left co...
This large picture was Seurat’s first major composition, painted when he had not yet turned 25. He intended it to be a grand statement with which he would make his mark at the official Salon in the spring of 1884, but it was rejected.Several men and boys relax on the banks of the Seine at Asnière...
This is one of the earliest studies for A Sunday on La Grande Jatte of 1884–6 (Art Institute of Chicago), and was very likely painted on location. As this sketch was painted in the morning, the sunlight and shadows are the reverse of other studies and of the final painting itself, which shows the...
This is one of four paintings Seurat produced in 1890 near the town of Gravelines, a small port on the northern French coast between Calais and Dunkirk. Positioned on the sand dunes of Petit-Fort-Philippe, we see the shore in the morning light after the receding tide has left a broad expanse of o...
This panel was most likely painted in 1885 and relates to a medium-size canvas, The Seine at Courbevoie (now in a private collection in Paris). Seurat may have painted it before he decided to produce a finished picture of this particular view of the river, or it may be a preparatory study.The ver...
This is the only sketch for Seurat’s Bathers at Asnières that includes a rainbow, which was painted over the sky once the paint had dried. Although perhaps a rather contrived image, the mottled sky suggests Seurat may have seen a rainbow. It is evidence of his attention to particular effects of l...
Jan Toorop was a Dutch-Indonesian artist, born to a Dutch father and Chinese-Indonesian mother. After travelling to the Netherlands as a young boy, he enrolled at the École des Beaux-Arts in Brussels in 1883, where he met many influential artists such as James Ensor and Théo van Rysselberghe.Toor...